How old are these photographs?
Following the addition to Jerripedia in February 2016 of an article charting the early years of photography in Jersey we were sent digital copies of some very early images, including what we believe to be the earliest surviving picture of an outdoor scene in Jersey. We thought that to celebrate we should create a new gallery featuring some of our oldest images of island scenes
We start the gallery with two harbour photographs, received separately by us but evidently taken at the same time. We will add to these as soon as we have time to fully research further images
We featured this photograph as our Picture of the Week at the end of March 2016, and suggested that it might be the oldest surviving outdoor photograph of Jersey. A few weeks later a slightly different version surfaced in France, where it was offered for sale at 65 euros. It is described as circa 1870. We believe, however, that the photograph was probably taken some 20 years earlier.
After careful study of the two images we are confident that they are different photographs taken from the same viewpoint within a short time of each other. The only discernable differences are the stance of the figure on the edge of the pier behind the ship in the centre of the picture, and the dog, which appears on the harbour bed close to the centre of the picture on the left, but is missing in the picture above. The image on the left is of much higher quality than this one. This could be down to how the two copies have been stored over the years
Image dating problems
We want to take things a little further than simply showcasing old pictures; we want to take the opportunity to examine some of the problems we encounter when trying to date old photographs, and discuss the clues which can be used.
Putting accurate dates to mid-19th century photographs can be extremely difficult. We are frequently sent, or come across, photographs with suggested dates, but they can be wildly inaccurate.
A common problem is that pictures known to have been taken some time in the 1890s, for example, will be described as '1890', the date can, therefore be nearly a decade out.
In other cases the handwritten date on the back of a photograph or the caption to a digital image may simply be somebody's guess, so the first rule when it comes to dating photographs is: 'Don't believe what you are told!'.
And here we must hold our hands up and admit that our estimates of dates cannot always be relied on, either. Over 48,000 images have been added to Jerripedia since we started with a photograph of All Saints Church on 12 August 2010. That's roughly 28 every day, and given that several hours can be spent just trying to pin down the date of a single photograph, we hope you will appreciate the difficulties we face and the efforts we go to in an attempt to 'get it right'.
Jerripedia has the largest online collection of images of Jersey; over 49,500 compared to the Société Jersiaise photographic archive's 35,000. OK, not all our images are original photographs - some are paintings and drawings - but we are not sure whether the Société's total includes all the images in its online catalogue which are not actually available to view.
But such comparisons are odious and what is important is that Jerripedia 'gets it right', and we are constantly adding dates to photographs on the site, or amending existing ones. Please forgive us if we have got something wrong, but don't keep the information to yourself! Let us know what you think, and we will make amendments and corrections as quickly as possible.
Are these the oldest?
The photograph at the top of the page was believed to show the French Harbour, one of the original sections of St Helier Harbour, protected by what was called South Pier, then Old South Pier, and is again known as South Pier today. The picture immediately attracted our attention because it shows such a lovely view of a port in the Victorian era, crowded with wooden sailing ships. Undoubtedly some of these vessels would have been built in Jersey, which was a major ship building centre in the middle of the 19th century.
The emergence of the second photograph reveals that we had the wrong section of harbour. This is actually the English Harbour, to the right of the French, as it is viewed here. The wider view on the left of the later image shows the area known as La Folie, which is between the two harbours.
Closer inspection reveals that these photographs are remarkable not for what is in them, but for what is not there. One of the best ways of dating photographs is if they do not show a building or other structure known to have been erected at a certain date, and if they show another structure known to have been built earlier, that gives a timeframe during which the photograph must have been taken.
There is something clearly missing from this image, and that is the Albert Pier, the outer arm of St Helier's Harbour for over a century, which should stretch across in the background, ending just after the angle in the pier. Closer inspection of the clearer picture shows that there appears to be a new pier under construction, and on the very left of the image is a dark triangular shape, which we now know to be the end of the South Pier, not the Victoria Pier as previously stated, and which is out of sight to the left of the view shown.
The latter was completed in 1846 and renamed from its original New South Pier in honour of the visit of Queen Victoria that year. The new North Pier was started in 1846 and completed in 1853, then renamed Albert Pier in honour of Prince Albert. This dates the photograph to between these last two years, and given the state of progress on the new pier, which has yet to reach its full length or height, probably somewhere in the middle - perhaps 1849-1851.
This makes these remarkable and historic photographs, because, although studio portraits are in existence which have been dated to around 1845 - five years after the first demonstration of photography is believed to have taken place in the island - the earliest pictures taken outdoors in the island showing any recognisable structure were previously believed to be those of the Royal Square taken in 1852, and of Victoria College, taken the following year, a few months after it opened, by Charles, the son of exiled French writer Victor Hugo.
Album of early photographs
There are other very early photographs of Jersey in an album in the collection of Princeton University, including this picture of Gorey Harbour and Mont Orgueil Castle, possibly taken in 1851, and predating the Charles Hugo images.
A photograph of Gorey Harbour, possibly taken in 1851
The date when the photograph was taken, apparently by a Mr Brodie, to whom other photographs in the album have been linked, is not known. However, it appears on the same page as other images dated 1851, and close examination of the picture, which shows active shipyards on the shore on the left, suggest that this date is quite possible ...
... however, this picture, half a stereo pair, sent to us in 2022, is also dated 1851. They can't have been taken in the same year because close examination reveals significant variations in the facades of the hotels and restaurants on the pier. In the upper photograph there are no names on the establishments whereas this picture shows Jordan's Hotel, Pettimans Exeter Hotel and Mont Orgueil Hotel, and the buildings all appear in a much better state of repair than in the upper picture. What seems to be Jordan's on the left has a balcony which is not evident on the building in the upper photograph. If this lower photograph was taken in 1851, the other must be earlier. But 1851 is very early for a stereoscopic pair. The stereoscope had been around for nearly 20 years, but only for viewing special stereoscope cards. It was not until the Great Exhibition of 1851 that it was publicly demonstrated with photographs. So our best guess is that the upper picture is the true 1851 image and this one was taken some time after. Unfortunately no street listings for Gorey exist which would enable us to use the hotel names to date the photograph. The 1851 census does show a Mont Orgueil Hotel, but because so few properties were individually identified, and there is no obvious sequence of listings along Gorey Pier, it is not particularly helpful. We can find no census return for Petiman in any Jersey census, and no Jordan living in St Martin
More early Harbour photographs
This is one of the best photographs of St Helier Harbour in the 19th century we have ever seen. This is the top of the Old Harbour, between Commercial Buildings and the New North Quay. The area occupied by the variety of ships in the foreground was filled in in 1884 to allow the Weighbridge Garden to be built with a statue of Queen Victoria in the centre, and further down in 1928 to provide parking spaces. It's difficult to put a date to this picture, but we think that it could be as early as 1853, because although the Albert Pier is complete in the background, it does not look as if it is yet in use. That was the year it was completed. If the photograph was taken that early it is of remarkable clarity, and the possibility remains that it was taken some years later and there is another explanation for the empty Albert Pier
This photograph of the Weighbridge, showing the Hotel du Havre where the Southampton hotel stood later, is one of the earliest known photographs of St Helier. The exact date is unknown, because there appears to be no record of the premises as the Hotel du Havre. To the right of the Havre, partly hidden behind the first public weighbridge, was the Custom House (later the Weighbridge Cafe), then the Weighbridge Hotel (later Hill's Weighbridge Hotel, and then Richards Finsbury Hotel), and to its right, another hotel, the Navy Hotel (later Hill's Navy Hotel). Across Mulcaster Street, moving further to the right, is Chase's Royal Yacht Club Hotel
, without the fourth storey which had been added by the 1860s
The top end of the Old Harbour, looking in the opposite direction from the picture above, and almost certainly an earlier photograph. The buildings are part of Caledonia Place
, with Pier Road
above and behind, and the outline of Fort Regent
discernable at the top.
Old Harbour, but how old?
Here is another very old photograph of St Helier Harbour, although exactly how old is open to debate. The photograph was offered for sale at the end of 2017 dated 1880s, but we believe it to be considerably earlier. The image shows the end of the North Quay, as it was then known, and the Old Harbour stretching across to Commercial Buildings. It was taken from the end of the South Pier, which appears to be in somewhat poor condition. The almost identical picture below has been in our St Helier Harbour gallery
since June 2017, and the painting at the bottom, which is clearly based on the top picture, has been in our collection since 2011. Our first thought when the new picture arrived was that it showed the full extent of the harbour at the time, with no Albert Pier and Harbour to the left of the north quay. That would date it to before 1853. However, the painting shows small boats outside the North Quay, suggesting that the Albert Pier had been built. We still do not think the photographs were taken as late as the 1880s, and identification of the paddle steamer in the background as possibly the Aquila
suggests that the photograph was taken in the late 1850s or 1860s. The smaller paddle steamer heading for the pierheads in the foreground was not a passenger-carrying vessel, but a harbour tug
Early market women
This photograph of French stallholders in a Jersey market went on sale in 2018, dated pre-1850. This demonstrates a serious misunderstanding of the progress of photography in its early years, or a deliberate attempt to mislead potential purchasers. The first demonstration of daguerreotype photography in the island was in 1840, and although some pictures survive from the following decade, there is nothing of this quality. Various experts have dated this picture, based on the clothing and other aspects, as '1870 at the earliest' - '1880s or later' and nobody we have consulted believes that it could have been taken anywhere near as early as 1850
At first sight there does not appear to be any connection between the two pictures chosen as our joint Picture of the week
in January 2020. Both show crumbling granite, but that is not the link. These photographs are both old - very old - and are believed to have been taken within a couple of years of each other in the mid-1850s. That means that they are contemporaneous with photographs taken by Victor Hugo
and his entourage during their stay in Jersey between 1852 and 1855, which are generally recognised as among the earliest surviving outdoor views of the island (although not the very first, which are now believed to date from 1851). The photograph of a thatched cottage is of such amazing quality that we had previously doubted the date attributed to it of September 1855, but further information which has been discovered by our researcher Gary Mayne supports the date. The photograph, of an unknown building, was taken by Joseph Cundall, a pioneer photographer in London, and a founder member of the Royal Photographic Society. The photograph is in the New York Metropolitan Museum of Art. According to an inscription on the print, it was produced using the collodion process, which was invented in 1851. The museum holds an albumen silver print made from a glass negative, acquired through a bequest in 1952. The picture below of a crumbling Jersey coastal tower is believed to be a year older. The photographer is unknown, but the work has been attributed to Thomas Sutton
. This attribution is supported by the fact that the print is believed to have been produced in 1854 using the Blanquart-Evrard process - see next item below. This was Tour du Sud, originally Tower A at the southern end of St Ouen's Bay, on the shore opposite La Rocco Tower. Tour du Sud, as well as Towers B and C to its north, were undermined by the sea. It is not known how long Tower A survived in the condition found by the photographer in 1854, but the major damage is believed to have occurred in 1851
One of the earliest photographers known to have been active in Jersey was Thomas Sutton, who opened a photographic studio in Jersey in 1847, the year after graduating from Cambridge University. He is renowned as one of the most important people in the history of world photography. He took the world's first permanent colour photograph in 1861, and invented the single lens reflex camera in the same year. He also developed the first panoramic camera with a wide-angle lens. He formed a partnership in Jersey with the famous French photographer Louis Désiré Blanquart-Evrard, who pioneered the calotype (negative and paper print) process in France. Photographs which survive from this period were taken by Sutton and printed by Blanquart-Evrard, who also processed photographs on behalf of other photographers, believed to include Queen Victoria's husband Prince Albert. No photographs appear to have survived from Sutton's early years in Jersey. Anything taken before 1850 would predate the early 1850s pictures further up this page.
Indeed, apart from the possibility that the photograph of the crumbling coastal tower was taken by Sutton and printed by Blanquart-Evrard, any pictures taken by Sutton in Jersey are extremely rare. These two, dated to 1855, were spotted by us on a French auction website in 2022, on offer for 1,000 euro (top) and 2,000 Euro (bottom)
These two photographs were offered for sale together in 2022. The upper photograph is on a plain mount and there is nothing to indicate that it was taken in Jersey. The bottom picture is on a mount inscribed Souvenir de Jersey and Negatif de M Thomas Sutton, photographié et edité par Blanquart-Evrard, and the rocky outcrop looks like the islet in the middle of Beauport beach