Colourised pictures

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Old photographs colourised
to bring them to life


D'Authreau Brothers staff outing


Although colour photography dates back to the 19th century, the majority of photographs in Jerripedia were taken on monochrome film, and either printed in black and white, or tinted in sepia. Many attempts were made over the years to hand tint monochrome images, both for commercial purposes and by amateur artists. Few of these were particularly realistic. Although examples will be found throughout this website, we have deliberately removed the colour tint from many to produce a clearer, sharper image.
From the early days of programs such as Photoshop, which automated image manipulation, computer technology has developed to the stage at which any monochrome photograph can be turned into a colour picture, the results depending on the skill of the user.
We have created this page to showcase some of the best examples of colourised photographs of Jersey subjects

A portrait of the de Veulle family taken by Clarence Philip Ouless, son of the renowned 19th century painter and pioneer photographer Philip Ouless

Rod Ferbrache

2023 saw the emergence in Facebook groups of a series of colourised Jersey images, the work of Guernseyman Rod Ferbrache. Unless otherwise stated, he was responsible for the examples on this page.

He describes the process he uses:

"I import a photograph into Adobe Lightroom. I make any exposure changes and crops at this stage. I then export it into Topaz software. This renders any faces clearer and greatly defined. It then goes into Photoshop where I use the beta version of restoration to take care of any scratches, creases, et cetera. I then use the replacement brush and with my Wacom tablet and pen colour in the entire photograph manually. I then reimport back into light room for any final tweaks."


Tea break during the potato planting season at Clos Durell, Trinity, in the early 1950s. Second from the left, back row, is David John Henley, wearing a stove pipe hat, and next to him his father-in-law George Augustus Messervy. The others in the picture were probably Breton workers
A colourised etching of St Aubin's Harbour when there was a ship building yard on the beach outside